
Breathing Blue by Anish Kapoor, 1954
Lazy mind
lets me disappear.
Reminding me that
I was never really here.

Breathing Blue by Anish Kapoor, 1954
Lazy mind
lets me disappear.
Reminding me that
I was never really here.

Miss Mouse comes out faithfully every night
when I am watering the garden,
making sure that I see her
as she walks up the same garlic stalk
night and night!
It’s been a loaded summer,
our intoxicating attachment to “story”
mine , yours and everyone’s.
But nature insists that we learn
the most basic of truths
and most of us do it the hard way.
They say that you’re not ready to change
until you “bottom out”.
I like the word “bottom”.
“Sandy Bottoms” is a place my dad
used to grab a beer and a gruber sandwich.
The medicine of mouse
is to pay attention to details
but not to forget the whole.
Our journey is a circle,
no beginning or end
but we sure do make a lot out of it!

“When might I abide in such a place
A place unclaimed and ownerless,
That’s wide and unconfined,
a place where where I might stay
At liberty, without attachment”
A passage from The Way of the Bodhisattva,
composed by Shantideva in the 14th century.
I have been working with this material for many months
illustrating one passage at a time.

1. The drifting old couple
still water fishing.
She will catch his eye
wearing that red shirt
the color of the boat they love.
2. I suggested that we sleep outside
to catch the shooting stars of mid August.
Feeling our years,
we grumble as we drag out mattresses,
he refusing an extra blanket
and did get cold like I knew he would.
But those stars welded their magic
and this morning my smile has softened
I’m such a tough old nut!

It was a ragged week of strife
and undercurrents
and hot weather,
building the studio,
long hours in the sun.
Now, resting beside him
hearing the sputter and breath
of a necessary nap.
I lay still
so he will sleep.
Wearing the blue linen shirt,
I bought and wash two times a week
and those grey shorts tied with rope.
Tan tapered legs, one of his best features
like his feet.
I will resist a clever ending to this poem
I’ll just let it go at that.

One Unto Herself
Heavy with child she lumbers,
this impossible pregnancy.
What was she thinking
when she said yes to God?
Not, carrying the world in her belly
His infinite seeds, fertile mother earth,
the dark and the light,
a snake eating the mouse.
I didn’t think it would be this bad
this full, this heavy.
The great weight of matter.
I will need divine assistance at her birth.
Delivering me from my own duplicity.
What are we midwifing here
Everything?
Sally King, Lady Godiva Day 2020
Photo of Sarah carrying her daughter Rumi

The exertive womb
Pushes
While the nurturing womb is yin,
the pushing womb is yang.
Two aspects of the feminine.
Right Ladies?
The breath always helps in right action,
the essential pause
to find out what is best suited,
in this moment
nurturing or pushing?

By Jay White,
She stood at the helm of the storm
And she was the one who could sail
The little boat of death
toward the far shore without panic.
So much good can happen out there
with the wind tearing things loose.
You can fling tears from your face
without worry.
You can feel your arms and legs
welcome this vigil.
You are the person who knows,
What your boat can do
at such a rare point of weather.
My brother’s poem
in response to an insight shared,
a trust.

What a time we are experiencing,
so much change, so much limitation,
we can’t just do whatever we want, when we want to.
For the first time that I know of,
our “white culture” is experiencing the squeeze
of less freedom and choice.
We can’t get on an airplane and fly to Europe or Canada
or go to restaurants or movies or parties.
And now we are panicking about resources,
our own and our neighbors.
Economic shortfalls are making the society less safe
as it becomes less stable.
We are getting our first taste of how our indigenous
and our people of color live life everyday.
Welcome to Club Humanity.
The upside is that we finally have a level playing field,
a shared experience with our “marginalized others”
Suddenly there is no other
just we.

For Maria
Laurens Van Der Post wrote The Mantis Carol,
a tale of synchronicity, wonder
and the truly joyful nature
of an African Bushman far from home.
And at the end of his life
She( I) went to visit him
and because he asked this of her
she proceeded to dance, his dance
the one she’s seen him do throughout his long life.
The Dance of Great Hunger.
A stomping step with a turn
arms spread reaching the cosmos.
She was totally present,
with her back still turned
she heard a strange sound,
” Like the issue of some gust of great wind
thrown at the door with such force
that it passed thin and elongated through the key -hole into
and out of the room.”
And he was gone.
Sometimes only a dance will do.
After the family left
I needed to dance , staff in hand
to move the stuck energy of deep sorrow
and let sway all the emotive feeling felt too tight,
giving voice to the great hunger
giving voice to the old one who knows of suffering
and still smiles.
For Maria